{"id":1271,"date":"2021-03-06T23:37:16","date_gmt":"2021-03-07T04:37:16","guid":{"rendered":"https:\/\/interiorarchipelago.com\/?page_id=1271"},"modified":"2021-10-29T12:52:31","modified_gmt":"2021-10-29T16:52:31","slug":"gallery","status":"publish","type":"page","link":"https:\/\/interiorarchipelago.com\/zh\/gallery\/","title":{"rendered":"Gallery"},"content":{"rendered":"\n
\n
\n
\n
\"\"
Dennis Lum, GSA Scotland<\/strong>
These series of photographs documents the stillness of Scotland in [2020-2021] as we transit through different phases of lockdown in the country.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Dennis Lum, GSA Scotland <\/strong>
These series of photographs documents the stillness of Scotland in [2020-2021] as we transit through different phases of lockdown in the country.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Dennis Lum, GSA Scotland<\/strong>
These series of photographs documents the stillness of Scotland in [2020-2021] as we transit through different phases of lockdown in the country. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Dennis Lum, GSA Scotland <\/strong>
These series of photographs documents the stillness of Scotland in [2020-2021] as we transit through different phases of lockdown in the country.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Dennis Lum, GSA Scotland<\/strong>
These series of photographs documents the stillness of Scotland in [2020-2021] as we transit through different phases of lockdown in the country.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Wang Yong, AADTHU<\/strong>
After the “COVID-19,” a transparent “wall” is set up on the dining table. Whether it is familiar or stranger, everyone can eat face-to-face safely.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Aidan Thomas Rabbitt, GSA Scotland<\/strong>
Night out?<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ningxin Wang, AADTHU<\/strong>
Indifferent. I want to express the worry and thinking about whether the society would come into being nihility and indifference.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Ruth Claudia Spitzer, RSID<\/strong>
“Femme Chambre”
Part 1\/3: A miniaturized, three dimensional, imaginary interior played in three poses.
Materials and Technique: 100% Silk (pile) Knots\/sqf : 160L Measurement: 140x200cm<\/figcaption><\/figure>\n\n\n\n
\"\"
Ruth Claudia Spitzer, RSID<\/strong>
“Femme Chambre” Part 1\/3: A miniaturized, three dimensional, imaginary interior played in three poses.
Materials and Technique: 100% Silk (pile) Knots\/sqf : 160L Measurement: 140x200cm<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ruth Claudia Spitzer, RSID <\/strong>
“Femme Chambre”
Part 1\/3: A miniaturized, three dimensional, imaginary interior played in three poses.
Materials and Technique: 100% Silk (pile) Knots\/sqf : 160L Measurement: 140x200cm<\/figcaption><\/figure>\n\n\n\n
\"\"
Chunyu Wang, AADTHU<\/strong>
The changed access control system.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Chunyu Wang, AADTHU <\/strong>
The telescopic isolation belt.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Josafinni Porter Chambers, GSA Scotland<\/strong>
ur_only_as_good_as_ur_rectangle_<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Wang Ye, AADTHU <\/strong>
We’re fighting for the light. We\u2019ll fight together as ONE.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zhuoer An, AADTHU<\/strong>
Chinese New Year. People burning paper for their ancestors with masks on.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Silja Rempel, GSA Scotland <\/strong>
Deconstruction, Interior Archipelago – Feb 2021<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Silja Rempel, GSA Scotland <\/strong>
Reconstruction, Interior Archipelago – Feb 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n\n\n\n\n
\n
\n
\n
\"\"
Liu Meiming, AADTHU<\/strong>
One Day<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Liu Meiming, AADTHU<\/strong>
One Day<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Liu Meiming, AADTHU<\/strong>
One Day<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Xinwei Lyu, RSID <\/strong>
My apartment have a quite beautiful view of the city of Toronto. Even for the coronavirus.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Xinwei Lyu, RSID<\/strong>
My cat Chouchou put on a plastic bag as his costume for the fashion show, because he cannot go on any due to the COVID.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Linghang Cai, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Ziyao Wang, AADTHU <\/strong>
A corner of my house, where small animals are whispering.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ziyao Wang, AADTHU <\/strong>
Disneyland under the epidemic.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Miao Hu, AADTHU<\/strong>
Sweet Factory Home<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Wanting Xu, AADTHU<\/strong>
Sweet Factory Home<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Shiyu Chen, AADTHU<\/strong>
<\/strong>Sweet Factory Home<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Veldesen Yaputra, AADTHU <\/strong>
2021 New Year<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Liu Yun, GSA Scotland <\/strong>
As two viewing media, mobile phone and eyes represent the products of industrialization and nature. Under covid-19, people are more eager for nature. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u5f20\u695a\u6708 Chuyue Zhang, AADTHU<\/strong>
\u63e1 Grasp<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Alice Huang, RSID<\/strong>
Ritual Artifacts: Laundry<\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n
\"\"
Alice Huang, RSID<\/strong>
Ritual Artifacts: Daily Supplies<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n\n\n\n\n
\n
\n
\n
\"\"
Zheng Wen Hai, AADTHU<\/strong>
Regular: The behavior of individuals after returning to private space is selected as research objects, and the particularity of space generated by regression behavior is explored.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zheng Wen Hai, AADTHU<\/strong>
Seeking: The behavior of individuals after returning to private space is selected as research objects, and the particularity of space generated by regression behavior is explored.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Zheng Wen Hai, AADTHU<\/strong>
Surrounded: The behavior of individuals after returning to private space is selected as research objects, and the particularity of space generated by regression behavior is explored.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yi Wu, AADTHU<\/strong>
\u201cRETURN\u201d: With the consent of my friend, I shot and post processed to show what we saw and thought when the outbreak came on our way home.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Yi Wu, AADTHU<\/strong>
\u201cRETURN\u201d: With the consent of my friend, I shot and post processed to show what we saw and thought when the outbreak came on our way home.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Joanna Rosado, GSA Scotland<\/strong>
The table- my universe centre.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Zhengjie Wang, AADTHU<\/strong>
Due to repeated epidemics, people have toggles between restricted and unrestricted social interaction.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Monica Granzotto, RSID<\/strong>
Mellow Mallow Monday<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Melba Beetham, GSA Scotland <\/strong>
Postcards that use flour to depict a sense of home and loss.

What happens when our relationship with our home becomes intensified through a dramatic reduction in the choice of where we spend time? The home may feel peaceful or fraught. At times it performs the sanctuary’s role; at others, it can be a place of tension and conflict. It permeates our identity, is carried around emotionally like a metaphorical snail’s shell. Lockdown shines a light on the relationship we have with home and other spaces, highlighting the sense of freedom we usually live, having places to go, a variety of environments in which to think, do and be.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Melba Beetham, GSA Scotland <\/strong>
Postcards that use flour to depict a sense of home and loss.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
BeiJia Li, AADTHU<\/strong>
\u75ab\u60c5\u671f\u95f4,\u9700\u8981\u4e25\u683c\u63a7\u5236\u4eba\u95f4\u8ddd,\u5927\u578b\u516c\u5171\u573a\u6240\u505c\u4e1a,\u56e0\u6b64\u5ba4\u5185\u7684\u7a7a\u95f4\u5229\u7528\u51fa\u73b0\u4e86\u53d8\u5316\u3002\u6709\u4e9b\u4f53\u80b2\u9986\u3001\u4f1a\u5c55\u4e2d\u5fc3\u53d8\u6210\u4e86\u65b9\u8231\u533b\u9662\u3002
During the epidemic, there are many changes in the use of indoor space resulted from the need to strictly control the spacing of people and the closure of large public spaces. Some gymnasiums and convention centers have been turned into mobile cabin hospitals.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
BeiJia Li, AADTHU<\/strong>
\u5bb6\u91cc\u4e5f\u9010\u6e10\u5177\u5907\u4e86\u591a\u79cd\u5c5e\u6027,\u9633\u53f0\u53d8\u6210\u4e86\u821e\u53f0,\u4e3e\u884c\u5c0f\u578b\u7684\u97f3\u4e50\u4f1a,\u4e4f\u5473\u7684\u5c45\u5bb6\u751f\u6d3b\u591a\u4e86\u4e00\u4e1d \u5feb\u4e50\u3002\u4eba\u4eec\u5728\u5bb6\u91cc\u501f\u52a9\u6ed1\u677f\u3001\u7535\u89c6\u7684\u52a8\u6001\u6216\u8005\u89c6\u89c9\u6548\u679c\u5728\u6905\u5b50\u4e0a\u6216\u5e8a\u4e0a\u6a21\u62df\u6e38\u6cf3\u9986\u7ec3\u4e60\u6e38\u6cf3\u3002
Also had a variety of attribute gradually in the home. The balcony became a stage, where small concerts take place, boring home life was much a happy. People practice swimming at home using skateboards, TV movements or visual effects on chairs or beds to simulate swimming pools.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Yiru Chen, AADTHU<\/strong>
Vision: These works are made from photographs. Shows people’s feelings in interior design by comparing virtual and traditional.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yinan Fulority Yang, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Yinan Fulority Yang, AADTHU <\/strong>
Hunter After Hope<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yinan Fulority Yang, AADTHU<\/strong>
Whether it’s taking daisies across the wilderness or talking to yourself in the hazy, hunters will always pursue hope and eventually find his own belonging.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n\n\n\n\n
\n
\n
\n
\"\"
Ha Eun Kim, GSA Scotland<\/strong>
Communication through the rectangles<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ha Eun Kim, GSA Scotland <\/strong>
Communication through the rectangles<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Stephanie Davidson, RSID<\/strong>
When the laundry becomes a landscape<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Stephanie Davidson, RSID<\/strong>
When the laundry becomes a landscape<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Stephanie Davidson, RSID <\/strong>
When the laundry becomes a landscape<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Rebecca Quinn, GSA Scotland<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
YiRan Wang, AADTHU<\/strong>
Wandering: I hope everyone keeps in touch even if they are thousands of miles away from home during in this difficult time.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Wu Yu Chen, AADTHU<\/strong>
Impression: The feeling comes from the quarantine period.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Jessica Huiting Zhao, AADTHU<\/strong>
Among the gloominess of the pandemic, this series aims to reconnect people with a feeling of abundance of having a haven to celebrate life in. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jessica Huiting Zhao, AADTHU<\/strong>
Among the gloominess of the pandemic, this series aims to reconnect people with a feeling of abundance of having a haven to celebrate life in.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Yi Liu, RSID<\/strong>
Due to the Covid-19 pandemic, the world is changing. People have been practicing 2m social distancing which ultimately led to the reformation of interior space.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yi Liu, RSID<\/strong>
Due to the Covid-19 pandemic, the world is changing. People have been practicing 2m social distancing which ultimately led to the reformation of interior space.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Yi Liu, RSID<\/strong>
Due to the Covid-19 pandemic, the world is changing. People have been practicing 2m social distancing which ultimately led to the reformation of interior space.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Liang Chensi, AADTHU<\/strong>
The railings to stop the epidemic are real, but the cages that bind us are stamped on us like office cubicles.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Hanya Khaled Mohamed Mohamed Kamel, GSA Scotland<\/strong>
‘Till we find our way home.’ A narrative reflecting our internal struggles while being in an interior sanctuary, waiting to finally make it home.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Hanya Khaled Mohamed Mohamed Kamel, GSA Scotland<\/strong>
‘Till we find our way home.’ A narrative reflecting our internal struggles while being in an interior sanctuary, waiting to finally make it home.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n\n\n\n\n
\n
\n
\n
\"\"
Hanya Khaled Mohamed Mohamed Kamel, GSA Scotland <\/strong>
‘Till we find our way home.’ A narrative reflecting our internal struggles while being in an interior sanctuary, waiting to finally make it home.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Lin Yao, AADTHU <\/strong>
All work and no play make jack a dull boy.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Jinghua Yuan, AADTHU <\/strong>
We are face to face, but we are still apart.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Mingpei Liu, AADTHU<\/strong>
The New Year 2019 in rural China is a quiet day in a deserted lane, broken only by the sound of a few homes’ TVs.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
MingXuan Du, AADTHU<\/strong>
Change: These are some of the spatial and behavioral changes associated with the new crown<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u674e\u5fc3\u8776 Xindie Li, AADTHU<\/strong>
\u8ff7\u832b Confusion

\u8ff7\u832b\u539f\u610f\u4e3a: \u6a21\u7cca\u4e0d\u6e05,\u8ff7\u60d1\u832b\u7136,\u795e\u60c5\u604d\u60da\u3002\u8fd9\u91cc\u8868\u8fbe\u7684\u662f\u75ab\u60c5\u671f\u95f4\u5927\u4f17\u7684\u4e00\u79cd\u5fc3\u7406\u72b6\u6001: \u5bf9\u4e8e\u5927\u591a\u6570\u4eba\u6765\u8bf4,\u90fd\u662f\u7b2c\u4e00\u6b21\u9762\u5bf9\u5982\u6b64\u5927\u8303\u56f4\u3001\u5927\u5371\u5bb3\u7684\u5168\u7403\u6027\u75be\u75c5\u3002\u4eba\u4eec\u7684\u6b63\u5e38\u751f\u6d3b\u88ab\u62e6\u8170\u65a9\u65ad,\u8f6c\u800c\u4ee3\u4e4b\u7684\u662f\u9650\u5236\u4e0e\u9694\u79bb\u3002\u5728\u8fd9\u79cd\u793e\u4f1a\u73af\u5883\u7684\u9aa4\u53d8\u4e0b,\u4eba\u4eec\u4ea7\u751f\u4e86\u7126\u8651\u3001\u5b64\u72ec\u3001\u6d6e\u8e81\u7b49\u8bf8\u591a\u60c5\u7eea,\u603b\u7ed3\u8d77\u6765,\u4fbf\u662f\u5bf9\u65b0\u51a0\u8fd9\u79cd\u672a\u77e5\u4e8b\u7269\u7684\u6050\u60e7,\u5bf9\u672a\u6765\u793e\u4f1a\u79e9\u5e8f\u8d70\u5411\u7684\u8ff7\u832b\u3002\u56fe\u4e2d\u8fd0\u7528\u5927\u91cf\u516d\u8fb9\u5f62\u5206\u5272,\u8425\u9020\u51fa\u9ed1\u767d\u6709\u5e8f\u7684\u6784\u6210\u6548\u679c\u3002\u5206\u5272\u7684\u7a7a\u95f4\u662f\u4eba\u4e0e\u4eba\u4e4b\u95f4\u7684\u9694\u65ad, \u540c\u65f6\u4e5f\u662f\u4e2a\u4eba\u5fc3\u4e2d\u7684\u9694\u9602\u3002\u4eba\u7ad9\u7acb\u4e8e\u88ab\u5206\u5272\u7684\u7a7a\u95f4,\u6ce8\u89c6\u7740\u81ea\u5df1\u7834\u788e\u7684\u8eab\u5f71\u3002\u6ca1\u6709\u6e05\u6670\u7684\u65b9\u5411,\u773c\u524d\u66f4\u591a\u7684\u662f\u8ff7\u832b\u3002\u800c\u7834\u788e\u7684\u7a7a\u95f4,\u4e5f\u5982\u4e00\u7247\u7247\u8774\u8776,\u632f\u7fc5\u7740\u5411\u7740\u56db\u5468\u7684\u9ed1\u6697\u6251\u53bb,\u8fd9\u4e5f\u6b63\u662f\u8ff7\u832b\u800c\u4e0d\u9ebb\u6728\u7684\u7075\u9b42\u5728\u62fc\u547d\u51b2\u649e\u7740\u7262\u7b3c,\u4ed6\u4eec\u867d\u8eab\u9677\u5176\u4e2d,\u8ff7\u60d1\u832b\u7136,\u5374\u4e0d\u7518\u5815\u843d\u3002
The original meaning of confusion is: vague, dazed, trance. It is the first time for most people to face such a large-scale and harmful global disease. People’s normal life has been cut off and replaced by restriction and isolation. In this sudden change of social environment, people feel anxious, lonely, impetuous and so on. To sum up, they are afraid of the unknown things like novel coronavirus and confused about the future social order. In the figure, a large number of hexagon segmentation is used to create a black-and-white orderly composition effect. The separated space is not only the barrier between people, but also the barrier in one’s heart. People stand in the divided space, watching their broken figure. There is no clear direction and their eyes are full of confusion. And the broken space, like a butterfly, flutters its wings towards the darkness around it. The soul, confused but not numb, is struggling to collide with the cage. Although they are confused and trapped in it, they are unwilling to degenerate and fight for themselves.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Jia Tianyu, AADTHU <\/strong>
The warmth will be enveloped by the haze, and the haze will disperse.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ziwei Chi, AADTHU<\/strong>
‘Work-a:’ Work in warm atmosphere<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Ziwei Chi, AADTHU<\/strong>
‘Work-b:’ A makeshift desk that blends in with a laundry area. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ziwei Chi, AADTHU<\/strong>
Spy on: We peer through the window frames.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Ziwei Chi, AADTHU<\/strong>
An empty street. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Monica Beckett, RSID<\/strong>
Possessions from a 6ft Ladder<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Monica Beckett, RSID<\/strong>
Possessions from a 6ft Ladder<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Monica Beckett, RSID<\/strong>
Possessions from a 6ft Ladder<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Kexin Chen, AADTHU<\/strong>
Our Strength, Our Space<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Huang Lanyi, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n\n\n\n\n
\n
\n
\n
\"\"
Yaqiang Zhai, AADTHU<\/strong>
Safe Boundaries: During the outbreak, health care workers across the country stepped out of safe boundaries to serve patients.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Maegan Rose Mehler, RSID<\/strong>
An idea – a sketch – for the back of a postcard series made during a time of isolation, home, online.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Maegan Rose Mehler, RSID<\/strong>
“a body, a building, a stone (no. 19)” From the Night Drawings series, 2020. Mixed media collage w\/ a digital stretch. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Maegan Rose Mehler, RSID<\/strong>
“a body, a building, a stone (no. 41)” From the Night Drawings series, 2020. Mixed media collage w\/ a digital stretch.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Maegan Rose Mehler, RSID<\/strong>
“a body, a building, a stone (no. 13)” From the Night Drawings series, 2020. Mixed media collage w\/ a digital stretch.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Maegan Rose Mehler, RSID<\/strong>
“a body, a building, a stone (no. 18)” From the Night Drawings series, 2020. Mixed media collage w\/ a digital stretch.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"
Ying Chang, GSA Scotland<\/strong>
The outbreak of coronavirus changed my lifestyle. Washing hands became a daily ceremony of “worship”, and masks became the decoration of handle.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ying Chang, GSA Scotland<\/strong>
The outbreak of coronavirus changed my lifestyle. Washing hands became a daily ceremony of “worship”, and masks became the decoration of handle.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\"\"
Julia Clare Sagias, GSA Scotland<\/strong>
A series of three digitally enhanced drawings which capture the minutia and perspective of interior living. View of kitchen wall, upturned rug, shadows.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Julia Clare Sagias, GSA Scotland<\/strong>
A series of three digitally enhanced drawings which capture the minutia and perspective of interior living. View of kitchen wall, upturned rug, shadows.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Julia Clare Sagias, GSA Scotland<\/strong>
A series of three digitally enhanced drawings which capture the minutia and perspective of interior living. View of kitchen wall, upturned rug, shadows.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Iszana Gordon, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Iszana Gordon, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Iszana Gordon, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Iszana Gordon, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Iszana Gordon, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Hang Zhao, AADTHU<\/strong>
Hi, Please disinfect! (\u4f60\u597d\u6d88\u4e2a\u6bd2)<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Hang Zhao, AADTHU<\/strong>
NEW FASHION ITEM OF 2020 (2020\u6d41\u884c\u914d\u9970)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Zhang Si Yuan, AADTHU<\/strong>
In the outbreak, a couple are talking face to face on a cell phone, separated by glass, where medical workers work in isolation. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Linghang Cai, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Linghang Cai, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jia Peng Sun, AADTHU<\/strong>
The best-selling blind box in recent years, the person behind the screen, and the outside world are all seem to be as mysterious as Schrodinger’s cat.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Daniela Nicole Ellero, RSID <\/strong>
‘wish you were here’ is a narrative typically used in the language of postcards and recently echoed in the shift to remote living.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Daniela Nicole Ellero, RSID<\/strong>
‘wish you were here’ is a narrative typically used in the language of postcards and recently echoed in the shift to remote living.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Zhe Dong, AADTHU<\/strong>
Wuhan’s traditional food “hot and dry noodles” and Wuhan’s representative building “Yellow Crane Tower” combined, and made a bold association.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ross Ferguson, GSA Scotland<\/strong>
Art in the mundane<\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"
\u9648\u96e8\u840c Yumeng Chen, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ruixue Wang, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Danni Shan, AADTHU<\/strong>
My Phenomenal World<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Agata Martyna Ostrowska, GSA Scotland<\/strong>
“Lockdown friends”<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Agata Martyna Ostrowska, GSA Scotland<\/strong>
“Closed, but in this together”<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Li Huang, AADTHU<\/strong>
My work describes the magnified feeling of communicating with neighbors on the balcony. I hope to express the happiness we need with this strong color.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Li Huang, AADTHU<\/strong>
My work describes the magnified feeling of communicating with neighbors on the balcony. I hope to express the happiness we need with this strong color.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Rebecca Ebsworthy, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Rebecca Ebsworthy, RSID<\/strong><\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n
\"\"
Rebecca Ebsworthy, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Rebecca Ebsworthy, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Rebecca Ebsworthy, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Shai Yeshayahu, RSID<\/strong>
Roaming!<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Shai Yeshayahu, RSID<\/strong>
Roaming!<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Xinjie Wu, AADTHU<\/strong>
Under the sky, there was nobody, people were far away, while animal gathering together.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Xinjie Wu, AADTHU<\/strong>
Under the sky, there was nobody, people were far away, while animal gathering together.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Xinjie Wu, AADTHU<\/strong>
Under the sky, there was nobody, people were far away, while animal gathering together.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Xinjie Wu, AADTHU<\/strong> Under the sky, there was nobody, people were far away, while animal gathering together.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Xinjie Wu, AADTHU<\/strong>
Under the sky, there was nobody, people were far away, while animal gathering together.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Qinxin Bai, AADTHU <\/strong>
The Superposition<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Siyu Li, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Mollie Beatrice Forsyth, GSA Scotland<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Linxin Ran, AADTHU<\/strong>
Urban Revitalization<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zixuan Zu, RSID<\/strong>
Although the epidemic trapped us at home, the Internet gave me a window to see the world.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Keer Li, AADTHU<\/strong>
\u5730\u94c1\uff1a\u8ddd\u79bb [Subway: Distance]

\u5982\u4eca\u7684\u4eba\u672c\u5c31\u662f\u4e00\u5ea7\u5ea7\u5b64\u5c9b\uff0c\u5373\u4f7f\u9762\u5bf9\u9762\u5750\u7740\uff0c\u4e2d\u95f4\u4e5f\u76f8\u9694\u5927\u6d77\u3002\u800c\u75ab\u60c5\u4e4b\u4e0b\uff0c\u4eba\u4e0e\u4eba\u4e4b\u95f4\u7684\u8ddd\u79bb\u88ab\u518d\u6b21\u62c9\u8fdc\uff0c\u5bb6\u5ead\u7684\u6982\u5ff5\u88ab\u4e0d\u65ad\u5f3a\u5316\u3002\u4eba\u4eec\u8eb2\u5728\u53e3\u7f69\u4e4b\u540e\uff0c\u7ed9\u5b64\u7acb\u4e0e\u6392\u65a5\u627e\u5230\u4e86\u6b63\u5f53\u7684\u7406\u7531\u3002
Today’s people are islands, even if we sit face to face, there is a sea between us. Under the epidemic situation, the distance between people has been further extended, and the concept of family has been continuously strengthened. People hide behind masks, justifying isolation and exclusion. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Keer Li, AADTHU<\/strong>
\u5730\u94c1\uff1a\u5bb6\u5ead [Subway: Family]<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Keer Li, AADTHU<\/strong>
\u5730\u94c1\uff1a\u5c4f\u853d [Subway: Screen]<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Keer Li, AADTHU<\/strong>
\u7535\u68af\uff1a\u4ea4\u9519 [Escalator: Interweave] <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Yifeng Jiang, AADTHU<\/strong>
Segmentation

During the post-epidemic age, the order of our interior space has been disrupted and reordered. Before re-examining the interior design, we can see that the interior space can be divided into three categories: working space, living space, and social space. But, after the epidemic, these three types of spaces show a trend of breaking up the whole into parts, and there will be more relatively independent public spaces. In the past, the large space will be continuously divided into smaller one which has more specific functions. Moreover, an area called “interaction” is becoming more and more important, playing an important role in connecting and buffering the interface of various functional areas.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yifeng Jiang, AADTHU<\/strong>
Segmentation<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Yifeng Jiang, AADTHU<\/strong>
Segmentation<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Xinwei Lyu, RSID<\/strong>
I was supposed to fly back home last June. The two colours of lines are the movements of me and my cat stuck in my apartment.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Lei Man Tek, AADTHU<\/strong>
Masks everywhere<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Lei Man Tek, AADTHU<\/strong>
Masks everywhere<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Lei Man Tek, AADTHU<\/strong>
Masks everywhere<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jiaqi Li, AADTHU<\/strong>
The Wall<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
Zeyu Yang, AADTHU<\/strong>
PERVADE\/The work focuses on common indoor small-scale objects, aiming to pay attention to the deficiencies exposed in design under the epidemic situation from graphic perspective.

\u5728\u65b0\u51a0\u75ab\u60c5\u7684\u6301\u7eed\u5f71\u54cd\u4e0b\uff0c\u4eba\u4eec\u5728\u5ba4\u5185\u7684\u505c\u7559\u65f6\u95f4\u53d8\u957f\uff0c\u5bb6\u548c\u793e\u533a\u6210\u4e3a\u4e86\u4e00\u4e2a\u4e2a\u9632\u75ab\u5355\u5143\uff0c\u7531\u6b64\u5ba4\u5185\u8bbe\u8ba1\u5728\u536b\u751f\u5b89\u65b9\u9762\u7684\u8003\u8651\u63d0\u5347\u4e86\u4e00\u4e2a\u9ad8\u5ea6\u3002\u4f5c\u54c1\u805a\u7126\u4e8e\u5ba4\u5185\u5e38\u89c1\u7684\u5c0f\u5c3a\u5ea6\u7269\u54c1,\u65e8\u5728\u901a\u8fc7\u5e73\u9762\u89c6\u89d2\u5173\u6ce8\u75ab\u60c5\u4e0b\u8bbe\u8ba1\u4e2d\u66b4\u9732\u7684\u4e0d\u8db3\uff0c\u6697\u793a\u5ba4\u5185\u5b89\u5168\u7cfb\u7edf\u3001\u4eba\u7fa4\u751f\u6d3b\u6a21\u5f0f\u3001\u76f8\u5173\u8f85\u52a9\u8bbe\u65bd\u7b49\u591a\u65b9\u9762\u5b58\u5728\u7684\u9690\u60a3\uff0c\u4ee5\u5f3a\u8c03\u5bf9\u672a\u6765\u5efa\u7b51\u5065\u5eb7\u751f\u6001\u7cfb\u7edf\u7684\u91cd\u89c6\u3002 Under continuous influence of covid19 epidemic people stay indoors longer than usual thus home and community become individual units of epidemic prevention. In this case, the consideration of health safety in interior design has risen to a higher level. The work focuses on common indoor small-scale objects, aiming to pay attention to the deficiencies exposed in design under the epidemic situation from graphic perspective, implying the hidden dangers existing in various aspects such as indoor safety system, people’s living pattern, and related auxiliary facilities so as to emphasize the importance of health ecological system in future buildings. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
Zeyu Yang, AADTHU<\/strong>
PERVADE\/The work focuses on common indoor small-scale objects, aiming to pay attention to the deficiencies exposed in design under the epidemic situation from graphic perspective. <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Zeyu Yang, AADTHU<\/strong>
PERVADE\/The work focuses on common indoor small-scale objects, aiming to pay attention to the deficiencies exposed in design under the epidemic situation from graphic perspective. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Amy Lam Thanh Ly, RSID<\/strong>
Cozy winter and New Year resolution!<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Klaudia Radlinska, GSA Scotland<\/strong>
March: Self-Isolation

Self-isolation is the act of intentionally staying apart from others. Being just by yourself and with yourself in our comfortable and peaceful environment.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Klaudia Radlinska, GSA Scotland<\/strong>
March: Spring<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Klaudia Radlinska, GSA Scotland<\/strong>
March: Spaces speak<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Klaudia Radlinska, GSA Scotland<\/strong>
May: Sanctuary<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Haogang Wu, AADTHU<\/strong>
When you put on a mask, the sense of distance, like the mask on these world-famous statues, makes people familiar and strange.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Haogang Wu, AADTHU<\/strong>
When you put on a mask, the sense of distance, like the mask on these world-famous statues, makes people familiar and strange.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Haogang Wu, AADTHU<\/strong>
When you put on a mask, the sense of distance, like the mask on these world-famous statues, makes people familiar and strange.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Lani Willow Campbell, GSA Scotland <\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
\u8d3e\u82f1\u8bd7 Yingshi Jia, AADTHU<\/strong>
Another Kind of Date. The three postcards are about the combination of virtual space and real emotions, about family, friendship and love respectively.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u8d3e\u82f1\u8bd7 Yingshi Jia, AADTHU<\/strong>
Another Kind of Date. The three postcards are about the combination of virtual space and real emotions, about family, friendship and love respectively.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
\u8d3e\u82f1\u8bd7 Yingshi Jia, AADTHU <\/strong>
Another Kind of Date. The three postcards are about the combination of virtual space and real emotions, about family, friendship and love respectively.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Xiaomeng Chen, AADTHU<\/strong>
Distance folding<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Xiaomeng Chen, AADTHU<\/strong>
Distance folding<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Xiaomeng Chen, AADTHU<\/strong>
Distance folding<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
David Ross, GSA Scotland<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
David Ross, GSA Scotland<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
David Ross, GSA Scotland<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
David Ross, GSA Scotland<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Amy Lam Thanh Ly, RSID<\/strong>
Memory of my last summer’s outdoor activity: Enjoy my favorite songs while having a walk.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zi Wei Teh, AADTHU<\/strong>
Home office.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Zi Wei Teh, AADTHU<\/strong>
Although restaurant is a public place, individuals still need privacy.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zi Wei Teh, AADTHU <\/strong>
The network connects different regions.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
\u6768\u6b23 Xin Yang, AADTHU<\/strong>
\u5411\u9633 exposed to the sun

\u5728\u75ab\u60c5\u4e4b\u4e0b\uff0c\u6211\u4eec\u7684\u6d3b\u52a8\u8303\u56f4\u53d7\u5230\u9650\u5236\uff0c\u4f5c\u54c1\u955c\u5934\u8bbe\u7f6e\u5728\u9633\u53f0\u4e00\u89d2\uff0c\u5728\u7f51\u7edc\u4e2d\u9009\u62e9\u4e86\u7b26\u5408\u6211\u6b64\u6b21\u5c55\u73b0\u4e3b\u9898\u7684\u7167\u7247\u52a0\u4ee5\u7ed8\u5236\u548c\u4fee\u6539\u3002 \u5728\u5ba4\u5185\u5c45\u4f4f\u7a7a\u95f4\u4e2d\uff0c\u6211\u4eec\u9700\u8981\u66f4\u5927\u7684\u901a\u98ce\u6761\u4ef6\u548c\u9633\u5149\u7167\u5c04\uff0c\u5728\u75ab\u60c5\u4e0b\uff0c\u6211\u4eec\u5728\u9633\u53f0\u7684\u6d3b\u52a8\u6b21\u6570\u589e\u52a0\uff0c\u7531\u6b64\u4ea7\u751f\u4e86\u66f4\u591a\u9633\u53f0\u4f11\u95f2\u548c\u745c\u4f3d\u8fd0\u52a8\uff0c\u8fbe\u5230\u901a\u98ce\u6761\u4ef6\u4e5f\u7531\u6b64\u6ee1\u8db3\uff0c\u5ba4\u5185\u7eff\u690d\u4e0d\u4f46\u80fd\u589e\u6dfb\u9633\u53f0\u7eff\u610f\uff0c\u66f4\u80fd\u5e26\u7ed9\u4eba\u4eec\u5065\u5eb7\u7684\u5fc3\u7406\u548c\u751f\u7406\u610f\u4e49\u3002\u76f8\u4fe1\u5728\u672a\u6765\u5ba4\u5185\u8bbe\u8ba1\u4e2d\uff0c\u4eba\u4eec\u4f1a\u66f4\u52a0\u91cd\u89c6\u9633\u53f0\u4f11\u95f2\u73af\u5883\uff0c\u63d0\u9ad8\u751f\u6d3b\u54c1\u8d28\u3002

Under the epidemic situation, our activity scope was limited, so the camera of the work was set in the corner of the balcony, and the photos that fit the theme of my exhibition were selected from the Internet for drawing and modification. In indoor living space, we need more ventilation and sunlight, under the epidemic, we increase in the activity of the balcony, creating more leisure balcony and yoga movement, thereby achieve ventilated conditions meet, indoor green plant not only can add green balcony, can make people more healthy psychological and physiological significance. I believe that in the future interior design, people will pay more attention to the balcony leisure environment, improve the quality of life.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ziwei Qin, AADTHU<\/strong>
WELCOME: Door<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Ziwei Qin, AADTHU<\/strong>
WELCOME: Remains<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ziwei Qin, AADTHU<\/strong>
WELCOME: Welcome<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Ziwei Qin, AADTHU<\/strong>
WELCOME: Footprint<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ziwei Qin, AADTHU<\/strong>
WELCOME: Monitor<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Zhao Meng, AADTHU<\/strong>
NO.1 stay-at-home lifestyle<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zhao Meng, AADTHU<\/strong>
NO.2 disrupted daily life<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Zhao Meng, AADTHU<\/strong>
NO.3 non-contact shopping<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Wang Zhiyue, AADTHU<\/strong>
The series ‘Replica’ expresses the scenes that people lead their lives in similar space like bedrooms, studies and cameras because of the COVID-19.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Kiran Naveed Qureishi, RSID<\/strong>
Attempting to connect with the exterior world when you realize the scenery outside is simply a desktop screensaver and you can only connect virtually.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jiahui Wang, AADTHU<\/strong>
The epidemic situation can be said to be a fault of life. This accident highlighted the role of some dispensable interior design in daily life.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Siyu Li, AADTHU<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n
\"\"
Paul Armand Georgescu, GSA Scotland <\/strong>Construction of new landscapes from familiar elements: digital artefacts of life in lockdown, 3D scans of my body and environment.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Paul Armand Georgescu, GSA Scotland<\/strong>
Construction of new landscapes from familiar elements: digital artefacts of life in lockdown, 3D scans of my body and environment.<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
\n
\"\"
Paul Armand Georgescu, GSA Scotland <\/strong>
Construction of new landscapes from familiar elements: digital artefacts of life in lockdown, 3D scans of my body and environment.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"\"
Hao Lu, AADTHU <\/strong>Time in the bedroom<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Hao Lu, AADTHU<\/strong>
Time in the bedroom<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Hao Lu, AADTHU<\/strong>
Time in the bedroom<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Hao Lu, AADTHU<\/strong>
Time in the bedroom<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Hao Lu, AADTHU<\/strong>
Time in the bedroom<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Yuelin Liu, AADTHU<\/strong>
People lack disposable spaces in cities with ever-increasing density. Being stuck at home caused inconvenience not only to me but my pet dog.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yuelin Liu, AADTHU<\/strong>
People lack disposable spaces in cities with ever-increasing density. Being stuck at home caused inconvenience not only to me but my pet dog.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Zhou Zi Yi, AADTHU<\/strong>
Restricting<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zhou Zi Yi, AADTHU<\/strong>
Restricting<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Zhou Zi Yi, AADTHU<\/strong>
Restricting<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Lai Yufei, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Lai Yufei, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Lai Yufei, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Lai Yufei, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Lai Yufei, RSID<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Ruby Red South Moffat, GSA Scotland<\/strong>
The postcards explore the imagery associated with Coronavirus and the blurring of interior zones. They also reference the phrases \u2018Support Bubble\u2019 and \u2018The New Normal\u2019. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ruby Red South Moffat, GSA Scotland<\/strong>
The postcards explore the imagery associated with Coronavirus and the blurring of interior zones. They also reference the phrases \u2018Support Bubble\u2019 and \u2018The New Normal\u2019. <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Ruoxi Shao, AADTHU<\/strong> <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u5434\u660a Hao Wu, AADTHU<\/strong>
\u5b64\u5c9b Isolated Island
The connection between the islands, the cabins, the people, was never broken, but intimate and touching, during the epidemic.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Xuefei Chen, AADTHU<\/strong>
Chinese people are returning to their daily life just like nothing has happened. But [somethings] will never be able to be restored.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Xuefei Chen, AADTHU<\/strong>
Chinese people are returning to their daily life just like nothing has happened. But [somethings] will never be able to be restored.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
\u95fe\u6cf1\u96ef Lu Yang Wen, AADTHU<\/strong>
\u9694\u79bb Quarantine <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Junyu Wang, AADTHU<\/strong>
Three Days: “2021, 2, 12” <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Junyu Wang, AADTHU<\/strong>
Three Days: “2021, 2, 14”<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Junyu Wang, AADTHU<\/strong>
Three Days: “2021, 2, 17” <\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Yushan Mo, AADTHU<\/strong>
The Change: Cleaning<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yushan Mo, AADTHU<\/strong>
The Change: The Mask<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Yushan Mo, AADTHU<\/strong>
The Change: Sports<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ruilin Luo, AADTHU<\/strong>
Visit Relatives \u63a2\u4eb2

\u8fd9\u7ec4\u7167\u7247\u4f53\u73b0\u7684\u662f\u5728\u75ab\u60c5\u671f\u95f4\u6211\u548c\u5988\u5988\u53bb\u63a2\u671b\u59e5\u59e5\u59e5\u7237\u7684\u573a\u666f\u3002\u6211\u90a3\u65f6\u521a\u521a\u4ece\u6709\u4e00\u5b9a\u98ce \u9669\u7684\u5730\u533a\u56de\u5bb6,\u4e3a\u4e86\u4fdd\u62a4\u597d\u5f7c\u6b64,\u6211\u4eec\u7b80\u5316\u4e86\u5f80\u5e38\u7684\u63a2\u4eb2\u4eea\u5f0f,\u4e0d\u8fdb\u95e8,\u4e0d\u8bf4\u8bdd,\u4ee5\u7b80\u5355\u800c \u77ed\u6682\u7684\u80a2\u4f53\u8bed\u8a00\u8fdb\u884c\u60c5\u611f\u7684\u4f20\u9012\u3002\u59e5\u59e5\u548c\u59e5\u7237\u7684\u4e0d\u540c\u6027\u683c\u4e5f\u5728\u8fd9\u4e9b\u80a2\u4f53\u52a8\u4f5c\u4e2d\u4f53\u73b0\u51fa\u6765,\u4ed6 \u4eec\u5728\u5c3d\u529b\u7f29\u77ed\u6211\u4eec\u4e4b\u95f4\u7684\u8ddd\u79bb,\u4ee3\u8868\u51fa\u5165\u5e73\u5b89\u7684\u5730\u6bef\u4e5f\u6210\u4e86\u4e08\u91cf\u6211\u4eec\u8ddd\u79bb\u7684\u5c3a\u5ea6\u3002\u4e0d\u7ba1\u4eb2\u4eba \u4eec\u4ee5\u4f55\u79cd\u5f62\u5f0f\u76f8\u805a,\u60c5\u611f\u90fd\u80fd\u591f\u5f97\u5230\u4f20\u8fbe\u3002
This group of photos shows the scene of my mom and me visiting grandma grandpa during the epidemic. At that time, I had just returned home from a certain risk area. In order to protect each other, we simplified the usual visiting ceremony. We didn’t enter the door, didn’t speak, and used simple and short body language to convey emotions. The different personalities of grandma and grandfather are also reflected in these body movements. They are trying their best to shorten the distance between us. The carpet representing safe access has also become a measure of our distance. No matter what form relatives get together, emotions can be conveyed.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Ruilin Luo, AADTHU<\/strong>
Visit Relatives \u63a2\u4eb2<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ruilin Luo, AADTHU<\/strong>
Visit Relatives \u63a2\u4eb2<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Ran Yan, AADTHU<\/strong>
“Face the Sun”
These record the author’s life in the balcony during the epidemic: learn to feel nature.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Ran Yan, AADTHU<\/strong>
“Face the Sun”
These record the author’s life in the balcony during the epidemic: learn to feel nature.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Ran Yan, AADTHU<\/strong>
“Face the Sun”
These record the author’s life in the balcony during the epidemic: learn to feel nature.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Siyu Li, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Siyu Li, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Siyu Li, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Guan Chen, AADTHU<\/strong>
\u6b63\u9762 Front<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Guan Chen, AADTHU<\/strong>
\u9b54\u65b9\u751f\u6d3b Rubiks Cube life<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Guan Chen, AADTHU<\/strong>
\u53ef\u6d3b\u52a8\u7684\u6709\u8da3\u5ba4\u5185\u7a7a\u95f4 Fun indoor space for activities<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Guan Chen, AADTHU<\/strong>
\u8d2d\u7269\u65b0\u601d\u60f3 New ideas of shopping<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Yuxuan Wu, AADTHU<\/strong>
Some warm things in autumn <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jiarui Zou, AADTHU<\/strong>
Vision
The design works are mainly from the perspective of people’s eyes, which capture the daily affairs observed indoors or outdoors from eyes.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Jiarui Zou, AADTHU<\/strong>
Vision
The design works are mainly from the perspective of people’s eyes, which capture the daily affairs observed indoors or outdoors from eyes.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jiarui Zou, AADTHU<\/strong>
Vision
The design works are mainly from the perspective of people’s eyes, which capture the daily affairs observed indoors or outdoors from eyes.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Abril Jiang, AADTHU<\/strong>
\u5f53\u5019\u9e1f\u9047\u4e0a\u5b64\u5c9b A Migratory Bird Before an Isolated Island: \u4e00\u5ea7\u5b64\u5c9b A Lonely Island

\u4f60\u53ef\u77e5\u9053\u4f4e\u77ee\u7684\u5929\u82b1\u677f\u548c\u7a84\u5c0f\u7684\u5c4b\u5b50\u4f1a\u675f\u7f1a\u4eba\u7684\u5fc3\u7075\u548c\u667a\u6167\uff01\u554a\uff0c\u6211\u662f\u591a\u4e48\u8ba8\u538c\u8fd9\u95f4\u6597\u5ba4\uff0c\u8fd9\u5ea7\u5b64\u5c9b\uff0c\u53ef\u6211\u8fd8\u662f\u4e0d\u80fd\u79bb\u5f00\u5b83\u3002
Do you know that low ceilings and narrow rooms can constrain one’s mind and wisdom? Oh, how I hate this tiny little room, this lonely island, and yet I can not leave it.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Abril Jiang, AADTHU<\/strong>
\u5f53\u5019\u9e1f\u9047\u4e0a\u5b64\u5c9b A Migratory Bird Before an Isolated Island: \u5019\u9e1f\u7684\u505c\u6b47 The Pause of a Migratory Bird

\u5728\u51e0\u672c\u8bfb\u7269\u4e4b\u95f4\u6d41\u8fde\uff0c\u5982\u8fc1\u5f99\u7684\u5019\u9e1f\u6216\u957f\u6216\u77ed\u5730\u505c\u6b47\u4e8e\u9014\u4e2d\u7684\u9a7f\u7ad9\u3002\u8fd9\u662f\u4e00\u5ea7\u5b64\u5c9b\uff0c\u4e00\u6b21\u5f88\u957f\u7684\u505c\u6b47\uff0c\u4f60\u4ee5\u4e3a\u4f60\u5728\u5954\u8dd1\uff0c\u5728\u201c\u542d\u54e7\u542d\u54e7\u201d\u5730\u524d\u8fdb\u3001\u62d0\u5f2f\u3001\u5c55\u7fc5\u3001\u843d\u5730\u2026\u2026\u56e0\u4e3a\u597d\u50cf\u770b\u5230\u4e86\u65e5\u5347\u65e5\u843d\uff0c\u770b\u5230\u4e86\u91d1\u8272\u7684\u5c71\u3001\u7eff\u8272\u7684\u6d77\uff0c\u770b\u5230\u4e86\u7d2b\u8272\u7cfb\u7684\u94f6\u6cb3\uff0c\u4f60\u4ee5\u4e3a\u81ea\u5df1\u770b\u904d\u4e86\u4e16\u95f4\u6bd4\u8f83\u597d\u770b\u7684\u666f\u8272\uff0c\u4f60\u60f3\u5c31\u6b64\u505c\u7559\u3002\u65e0\u5fe7\u65e0\u8651\u7684\u601d\u7eea\u98d8\u6d6e\u7740\uff0c\u56db\u9762\u73af\u6d77\uff0c\u4f60\u4e0d\u77e5\u6653\u81ea\u5df1\u7684\u4f4d\u7f6e\uff0c\u51e0\u4e4e\u4ee5\u4e3a\u8fd9\u4fbf\u662f\u7ec8\u70b9\u3002
Lingering over several books, as a migratory bird stops long or short at post houses on their journey. It\u2019s a long pause this time, you think you are running forward, spreading wings, making turns, landing\u2026\u2026 You seem to have seen the sun rising and setting, the golden mountains, the green sea and the purple Milky Way. You think you have seen all the more beautiful scenery in the world, and you nearly want to stop there. You have no idea where you are. You almost think this is the end.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Abril Jiang, AADTHU<\/strong>
\u5f53\u5019\u9e1f\u9047\u4e0a\u5b64\u5c9b A Migratory Bird Before an Isolated Island: “Citus, Altius, Fortius\u201d (\u5965\u6797\u5339\u514b\u7cbe\u795e\u201c\u66f4\u9ad8\uff0c\u66f4\u5feb\uff0c\u66f4\u5f3a\u201d The Olympic motto “Higher, Faster, Stronger”)

\u8bfb\u5230\u6811\u4e0a\u6625\u6811\u7684\u300a1Q84\u300b\uff0c\u201c\u8089\u4f53\u624d\u662f\u4eba\u7684\u795e\u6bbf\uff0c\u4e0d\u7ba1\u91cc\u9762\u4f9b\u5949\u7684\u662f\u4ec0\u4e48\uff0c\u90fd\u5e94\u8be5\u597d\u597d\u4fdd\u6301\u5b83\u7684\u5f3a\u97e7\u3001\u7f8e\u4e3d\u548c\u6e05\u6d01\u3002\u201d \u60f3\u81ea\u7531\uff0c\u4e3a\u4ec0\u4e48\u4e0d\u8fd0\u52a8\u5462\uff1f\u4f53\u80b2\uff0c\u5c31\u662f\u901a\u8fc7\u8eab\u4f53\u7684\u7ec3\u4e60\uff0c\u628a\u5176\u8eab\u4f53\u8f6c\u53d8\u6210\u7cbe\u795e\u7684\u4e00\u4e2a\u5668\u5b98\uff0c\u4ece\u800c\u663e\u793a\u51fa\u5b83\u7684\u81ea\u7531\u3002
“The body is the temple of human beings, no matter what is enshrined in it, it should be kept strong, beautiful and clean.” (Haruki Murakami’s “1Q84”) Through exercise, the body seems to become an organ of the mind and thus manifesting its freedom. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Linxin Ran, AADTHU<\/strong>
Empty Live House<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Linxin Ran, AADTHU<\/strong>
Lonely Performer<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Linxin Ran, AADTHU<\/strong>
Isolation Performance<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Shuyii Zeng, AADTHU<\/strong>
A corner of my bookshelf. old memories. happy to see them occasionally during quarantine time. It’s best to fill the bookshelves with my favorite things. <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u4f55\u5c55\u9e4f Zhan Peng He, AADTHU<\/strong>
\u4ece\u6df1\u6e0a\u5411\u4e0a\u770b Looking Up from the Abyss<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Shenglan Xu, AADTHU<\/strong>
Staring <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Shenglan Xu,<\/strong> AADTHU<\/strong>
Distance<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Jiaxin Li, AADTHU<\/strong>
Wuhan Epidemic Memorial Hall<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jiaxin Li, AADTHU<\/strong>
Wuhan Epidemic Memorial Hall<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Jiaxin Li, AADTHU<\/strong>
Wuhan Epidemic Memorial Hall<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jiaxin Li, AADTHU<\/strong>
Wuhan Epidemic Memorial Hall<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Jiaxin Li, AADTHU<\/strong>
Wuhan Epidemic Memorial Hall<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zhipeng Xiong, AADTHU<\/strong>
Outside the Window<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
\u738b\u8d8a Wang Yue, AADTHU<\/strong> <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u738b\u8d8a Wang Yue, AADTHU<\/strong> <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
\u738b\u8d8a Wang Yue, AADTHU <\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u738b\u8d8a Wang Yue, AADTHU<\/strong> <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
\u738b\u8d8a Wang Yue, AADTHU<\/strong> <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u738b\u8d8a Wang Yue, AADTHU<\/strong> <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Tim Zhu, AADTHU<\/strong>
I haven\u2019t seen the drivers’ face clearly since taxis were put on isolation film.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Shuxin Yin, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Leyi Cui, AADTHU<\/strong>
Our space becomes part of us, its change affects us, we no longer take ourselves as the unchanging protagonists in a movie with ever-changing scenes.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Leyi Cui, AADTHU<\/strong>
Our space becomes part of us, its change affects us, we no longer take ourselves as the unchanging protagonists in a movie with ever-changing scenes.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Leyi Cui, AADTHU<\/strong>
Our space becomes part of us, its change affects us, we no longer take ourselves as the unchanging protagonists in a movie with ever-changing scenes.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Leyi Cui, AADTHU<\/strong>
Our space becomes part of us, its change affects us, we no longer take ourselves as the unchanging protagonists in a movie with ever-changing scenes.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Qilin Li, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Shuxin Yin, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Shuxin Yin, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u6bd5\u5609\u99a8 Jiaxin Bi, AADTHU<\/strong>
\u56e0\u75ab\u5ba4\u53d8 Indoor environment changed by epidemic<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Zhang Jiao, AADTHU<\/strong>
The first is the yearning for the outside world during the epidemic and the second is the quiet enjoyment of the little pleasures inside<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yu Han, AADTHU<\/strong>
The trip to Tibet<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Yu Han, AADTHU<\/strong>
The trip to Tibet<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yu Han, AADTHU<\/strong>
The trip to Tibet<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Yu Han, AADTHU<\/strong>
The trip to Tibet<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Yu Han, AADTHU<\/strong>
The trip to Tibet<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Shuxin Yin, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Shuxin Yin, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
\u66f9\u4f73\u5b81 Jianing Cao, AADTHU<\/strong>
\u5c01\u95ed Closed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u66f9\u4f73\u5b81 Jianing Cao, AADTHU<\/strong>
\u5e0c\u671b Hope<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
\u66f9\u4f73\u5b81 Jianing Cao, AADTHU<\/strong>
\u5411\u5f80 Yearning<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
\u91d1\u82f1\u59ff Yingzi Jin, AADTHU<\/strong>
\u8ddd\u79bb Distance

\u300a\u8ddd\u79bb\u300b\u4f53\u73b0\u4e86\u4eba\u4e0e\u4eba\u4e4b\u95f4, \u53d7\u75ab\u60c5\u5f71\u54cd\u4e0b\u7684\u793e\u4ea4\u8ddd\u79bb\u3002\u5728\u8fc7\u53bb\u76842020\u5e74, \u4eba\u4eec\u7684\u6d3b\u52a8\u5f88\u5927\u7a0b\u5ea6\u4e0a\u53d7\u5230\u4e86\u75ab\u60c5\u7684\u9650\u5236, \u4eba\u4eec\u65e0\u6cd5\u505a\u6b63\u5e38\u7684\u751f\u6d3b\u4e0e\u5de5\u4f5c, \u6211\u4eec\u88ab\u62d8\u675f\u5728\u4e00\u4e2a\u4e2a\u56db\u56db\u65b9\u65b9\u7684\u76d2\u5b50\u4e2d, \u901a\u8fc7\u7f51\u7d61\u4e0e\u4eba\u4ea4\u6d41, \u4e0e\u6b64\u540c\u65f6, \u4eba\u4e0e\u4eba\u4e4b\u95f4\u7684\u8ddd\u79bb\u4e5f\u88ab\u8fd9\u4e00\u7cfb\u5217\u7684\u5c4f\u969c\u62c9\u5927\u4e86….
This work shows the distance between people, affected by the pandemic. In 2020, people’s activities are largely restricted by the epidemic. People can’t live and work normally. We are confined in boxy boxes and communicate with others through the internet. At the same time, the distance between people is also widened by this series of barriers….<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
\u91d1\u82f1\u59ff Yingzi Jin, AADTHU<\/strong>
\u8ddd\u79bb Distance<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Jiao Zha, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Ruisi Sun, AADTHU<\/strong>
In the new crown period, people realized that human beings in the face of disease, fragile like a handful of blown away dust.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Zhang Jing Jie, AADTHU<\/strong>
A snapshot of life in the epidemic<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Qi Mei, AADTHU<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Xiwen Yao, AADTHU<\/strong>
My heaven and earth<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous, Untitled<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous, Untitled<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous, Untitled<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous, Untitled<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous
\u72ed\u95f4\u4e2d\u7684\u5bb4\u4f1a<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous
\u72ed\u95f4\u4e2d\u7684\u5bb4\u4f1a<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous
\u7b49\u5019 Awaiting<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Anonymous
\u9694\u5f00\u4e00\u6bb5\u8ddd\u79bb Maintain Distance<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous
\u201c\u8bf7\u51fa\u793a\u5065\u5eb7\u7801\u3002\u201d “Please display your health identification.”<\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n
\"\"
Anonymous
\u62e5\u6324 Crowded
<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Anonymous
\u9694\u79bb, \u6905\u5b50\u548c\u4e00\u76c6\u82b1 Quarantine, Chair and a Flower Pot<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":16579164,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"tags":[],"class_list":["post-1271","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PcBHi0-kv","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/pages\/1271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/users\/16579164"}],"replies":[{"embeddable":true,"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/comments?post=1271"}],"version-history":[{"count":100,"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/pages\/1271\/revisions"}],"predecessor-version":[{"id":1986,"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/pages\/1271\/revisions\/1986"}],"wp:attachment":[{"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/media?parent=1271"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/interiorarchipelago.com\/zh\/wp-json\/wp\/v2\/tags?post=1271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}